#Command e conquer the decade how to

Most people specialize, but I didn’t know that.”Īnd so deGrandis taught himself everything, from design to modeling, programming, and digital art creation. “I came to the conclusion that if you work in games you have to be able to do everything. The lack of easily available information led deGrandis to take an all-or-nothing approach. These were the days of dial-up internet and sluggish Yahoo searches. Serendipitous as this opportunity may seem, it points to a larger pattern in deGrandis’s early years: striving to realize his goal while taking advantage of the scant resources available. I would basically skip classes to teach myself Maya,” he recalls. “I was aware was used in games and in film, and I had access to it. He realized that, although the college did not yet have any courses in game design, the computers all had a 3D-modeling software program called Maya installed. In the early 2000s deGrandis attended the Maine College of Art (MECA-now Maine College of Art and Design, MECA&D) for graphic design. “Doing it blind,” with little to no help, “is incredibly hard.”

#Command e conquer the decade how to

“Learning how to make games is hard,” deGrandis admits. It would be a decade before deGrandis would get his foot in the door of the then-fledgling indie gaming industry, but that realization stuck with him, propelling him along what, by his own account, was no easy path. And a second later I thought, Oh my god- that could be my job!” The year was 1995, and the game was Command and Conquer (which might bring up some memories for the elder millennials and gen-Xers out there). “When I was in middle school, I was playing a game, and I had the realization that making games was someone’s job,” says Adam deGrandis, who is sipping coffee on his back porch in Scarborough one clear spring morning.